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Kaiju of the Rim

“It was a project that encompassed every single thing on my wish list, visually, atmospherically and emotionally,” said Guillermo Del Toro about Pacific Rim. “An unstoppable, thrilling adventure about monsters and robots, the likes of which we’ve never seen.” None other than this director could handle the project. “he is a master of the genre,” producer Jon Jashni said to Scifi Japan. “He is encyclopedic about the Kaiju and ‘mecha’ cultures, making him uniquely qualified to capture the most accessible and entertaining facets of both. When we shared with him what we were cooking up with Travis, he was immediately on board.”

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Monster Gallery: Pacific Rim (2013)

Monster Gallery: Hellboy (2004)

Monster Gallery: Mimic (1997)

Exclusive: TyRuben Ellingson’s Mimic Concept Art!

On the 4th of January I received a mail from TyRuben Ellingson, the main creature designer for Guillermo del Toro’s Mimic. He showed to me two concept art pieces he had drawn for the project back in 1996; with further correspondence he not only allowed me to publish them here, but also gave me other drawings.

The two pieces below are side view studies, already close to the final incarnation of the ‘Long John’ Mimic design; they show how the creatures’ peculiar ‘mask-claws’ function and how the Mimics’ appearance changes when they are in ‘masked’ and ‘unmasked’ positions. Notice that the ‘mask-claws’ here were successively changed for the adult monsters. The juveniles mantain the earlier design due to the fact that when the decision was made, the practical models for the character were already built and ready for filming.

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The Desolate One

Close-up of Sammael's head.

Sammael
The Desolate One,
Lord of the Shadows,
Son of Nergal,
Harbinger of Pestilence,
Seed of Destruction,
Hound of Resurrection.

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Mimic Terrors

Mimic on set.

“Nature is a strange thing, I learned. You learn that very clearly when you work in a museum. You realize how nature uses the art of camouflage.”
-Donald A. Wollheim, Mimic

The original Mimic short story, signed by horror literature author Donald A. Wollheim and published in 1950, was widely different in both plotline and tone to Guillermo Del Toro’s 1997 feature film. The story narrates, from a first person perspective, the memories of a man — who remains unnamed — regarding a grotesque and mysterious ‘man in a black coat’ in his neighbourhood. The final part of the story sees the protagonist at last investigating the cloaked man’s apartment after hearing screams and heavy breathing sounds. He is found dead, on the floor — apparently still wearing his ‘black cloak’. Analyzing its appearance further, however, they discover the frightening truth: the ‘man in the black coat’ was not a man, but rather a gigantic insect, evolved to camouflage itself among humans — mimicking their appearance.

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