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Monster Gallery: Q: The Winged Serpent (1982)


“The Empire State building had their monster,” Larry Cohen, director of Q: The Winged Serpent, recalled, “but I thought the Chrysler Building was a better-looking building, so I thought, ‘well, they should have their own monster!’ And if you’re going to have a monster that’s a bird, what better place to have it nest than up at the top of the Chrysler Building? It’s kind of designed with a bird-like motif: It’s got gargoyles that look like giant bird-like creatures around the sides of it, and the whole top of it is kind of centered. If I was a giant bird and I was going to pick a nesting place, that’s where I’d go.”

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Monster Gallery: The Gate (1987)

Demons of the Gate


gatedemonlordpuppTo unleash the demons of The Gate, director Tibor Takacs needed the right special effects artist — and he found Randall William Cook. “When you talk to special effects people, a lot of them talk about limitations,” Takacs told Cinefex. “‘Well, you can’t do this and you can’t do that.’ But with Randy Cook it wasn’t like that at all — he talked about possibilities.” The Gate offered Cook the opportunity to use a wide array of different effects techniques. In his task, he was aided by Craig Reardon (for creature effects), Frank Carere (physical effects) and Illusion Arts (mattes and opticals).

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