The green fairy.
The fairy in its stick insect form at the end of the film.
Concept art by Sergio Sandoval.
An early Faun maquette.
Sculpting the Faun.
The Faun’s eye.
The understructure of the Faun’s head, containing eye, nose and ear mechanisms. Jones also wore dental prosthetics.
In the make-up chair.
The finished head make-up (aged version).
The Faun between takes.
The Faun loves reading magazines…
…and eating a fine lunch.
Jones and Del Toro.
A before-after image showing how Jones’ unsuited leg portions were erased in post-production.
During filming. The Faun rejuvenates throughout the scenes he is featured in.
Concept art of the toad by Sergio Sandoval.
The toad maquette.
The toad animatronic.
The digital toad in the film.
The Mandrake puppet.
Pale Man concept art by Sergio Sandoval.
The Pale Man maquette.
Sculpting the Pale Man.
Applying the make-up. Notice the vacuform understructure.
Jones and the dummy double.
The Pale Man dummy.
The Pale Man in the final film, with the digitally augmented eyes.
Main Article: Las Criaturas del Laberinto del Fauno