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Main article: Brundlefly
I’m an insect who dreamt he was a man and loved it. But now the dream is over – and the insect is awake.
Screenwriter Charles Edward Pogue first approached producer Stuart Cornfield to produce a remake of The Fly, one of the most influential science-fiction films of the 1950s. The core concept the two agreed on was to have a progressive transformation, as opposed to a sudden one. Cornfield told Cinefex: “when Chuck Pogue came into my office and said he wanted to remake The Fly, we screened the original film and decided a straight remake wouldn’t be as interesting as a change of the basic premise from a head-switching to a metamorphosis.” From there, Pogue’s pitch evolved around an introvert scientist having to deal with the progressive corruption and transformation of his body into that of a monstrous hybrid of man and fly. This idea was influenced by David Lynch’s The Elephant Man, as well as Jean Cocteau’s Beauty and the Beast, two films that dealt with the contrast between the ‘inner man’ and the ‘outer appearance’.