Eggs.
Building the practical Facehugger.
Cinesite’s digital Facehugger awaits for his moment.
Hand redesign for the adult Alien on the right, compared to the original version on the left.
Building the Aliens.
Suits on set.
An insert head wrestles with a Predator. Aliens are truly dread, man. Truly dread.
The hydraulic Alien on set.
The dead Alien dummy.
Building the digital Alien.
Promotional stills featuring Stephane Paris’ digital Alien.
Concept art for Grid.
Grid on set.
Grid in a scene from the film.
Digital Grid.
Proposed redesigns of the Queen’s head by Akihito Ikeda.
Ikeda sculpts the Queen.
Damaged Queen concept art.
Damaged Queen sculpture.
Egg sac sculpture.
Sculpting the full-size Queen.
Building the full-size Queen.
Queen and crew.
Alien Queen
Queen and crew.
The full-size Queen on set.
Building the third-scale Queen.
The third-scale Queen.
Building the digital Queen.
Promotional stills featuring the digital Queen Alien.
The digital Queen in the film.
Patrick Tatopoulos’ Predalien design.
Sculpting.
Akihito Ikeda sculpts the Predalien.
The Predalien puppet.
On set.
Concepts by Joe Pepe.
Armor parts.
Backpack sculpture by Bruce Spaulding Fuller.
Mask concepts by Don Lanning.
Carlos Huante’s mask concepts.
A deleted scene depicted the Predators emerging from cryogenic sleep. A naked Predator was designed, but left unused in the film.
Don Lanning’s maquette.
Sculpting Celtic’s mask.
Celtic’s mask sculpture, by Bruce Spaulding Fuller.
Working on the armor parts.
Working on the armor parts.
Armor parts.
Sculpting process.
The body sculpture, by Bruce Spaulding Fuller.
Early test fitting.
Painting the Predator body.
Test fittings.
Raw Dreadlocks.
Predator head understructure.
Seaming the Predator head.
The Predator head.
Touching up.
Celtic and Chopper.
Scar.
Elder head concept art.
Elder head sculpture. The rings were removed in the final creature.
The Elder.
Promotional digital renders.
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Thanks foor posting this