General note: to avoid repeating the term “Assblaster”, the article (and further entries featuring said creature) will mostly use abbreviations such as “AB” or “Blaster”. The success of Tremors 2: Aftershocks led to the production of another sequel in the series — Tremors 3: Back to Perfection — that would mark the return, as the… Read More Subterranean Terror — Tremors 3: Back to Perfection
Universal expressed interest in making a sequel to Tremors — which had achieved a near cult status on the video market — shortly after its release. “We didn’t take it too seriously at first, because we couldn’t come up with any good ideas,” writer and director of Tremors 2: Aftershocks, Steven S. Wilson, told Cinefex. “We… Read More Subterranean Terror — Tremors 2: Aftershocks
In the early 70s, filmmaker Steven S. Wilson was working for the Navy in an isolated area near China Lake. One day, he was sitting on a rock, surrounded by sand, and an idea came to his mind: what would happen, he wondered, if something under the ground forbade him to get off that rock?… Read More Subterranean Terror — Tremors
“The bugs are not like us. The Pseudo-Arachnids aren’t even like spiders. They are arthropods who happen to look like a madman’s conception of a giant intelligent spider, but their organization, psychological and economic, is more like that of ants or termites; they are communal entities, the ultimate dictatorship of the hive.” -Robert A. Heinlein,… Read More Army of Klendathu
Static electricity is IGNITING in the air and the sand is swirling around the harvester. Then they see it. A wide hole emerges from the sand, glistening spokes within it. The hole is twice the size of the harvester. Suddenly the machine turns and slides into the hole, parts of it EXPLODING. The SOUND is… Read More Sandworms of Arrakis
In the theatrical cut of Frank Oz’s Little Shop of Horrors, Audrey II is electrocuted; the electricity triggers a reaction that makes the plant explode. At the very end of the film, with Seymour and Audrey married, the camera zooms on their garden — revealing a little smiling plant. The original ending of the film… Read More Special: The Plant Conquered the World
The Little Shop of Horrors began as a low-budgeted film, directed by B-Movie veteran Roger Corman. Based on a $30.000 budget and completed in a very short time, it came to receive — to Corman himself’s surprise — a wide cult following. The story of Seymour Krelborn and the voracious man-eating plant resonated within people’s… Read More Mean Green Mother from Outer Space
Finnegan turns as the DANCE FLOOR and the D.J. BOOTH EXPLODE as SOMETHING RISES UP from below them. His eyes widen. And there it is — The huge, horrible, mutated, mucus-covered, sucker-faced HEAD OF THE CREATURE. A giant mutated protoplasm. Jutting up from a breach in the floor. The trunk of the Creature, the part… Read More Beast of the Deep
Magazine Journalist Joe Nazzaro had composed an article regarding the design and realization of the homunculi from the 2010 remake of Don’t Be Afraid of the Dark. Written for Monsterpalooza Magazine — which eventually went no further than its first issue — it was left unused. As an Exclusive to Monster Legacy, Joe Nazzaro was… Read More Exclusive: Art of Darkness
Abraham Sapien first appeared in the Seed of Destruction arc of Mike Mignola’s Hellboy comics — and was featured in Guillermo del Toro’s film adaptations. Abe was the director’s favourite character from the comic series, but despite that he wanted to take a different direction, character-wise: “[he was] completely different from the Abe Sapien in… Read More Abraham Sapien
