Concept art by Paul Catling, already close to the final incarnation.
Sculpting the Basilisk: John Coppinger and Graham High at work.
Members of the moulding crew with the Basilisk’s skin, fresh out of the mould.
The Basilisk’s shed skin.
The Pool Ball animatronic controllers.
The finished Basilisk animatronic.
The Basilisk on set.
The paint scheme of the Basilisk’s skin, by Jason Horley.
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