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Pennywise Unbound
He cried out, staggering back, one hand going to his head, and his first incoherent thought was No wonder Stan committed suicide! Oh God, I wish I had! He saw the same expressions of stunned horror and dawning realization on the faces of the others as the last key turned in the last lock.
Then Beverly was shrieking, clinging to Bill, as It raced down the gossamer curtain of Its webbing, a nightmare Spider from beyond time and space, a Spider from beyond the fevered imaginings of whatever inmates may live in the deepest depths of hell. […] It was perhaps fifteen feet high and as black as a moonless night. Each of Its legs was as thick as a musclebuilder’s thigh. Its eyes were bright malevolent rubies, bulging from sockets filled with some dripping chromium-colored fluid. Its jagged mandibles opened and closed, opened and closed, dripping ribbons of foam.
-Stephen King, It
Monsters in the Mist
An adaptation of Stephen King’s The Mist was first considered by Frank Darabont (director of several other film versions of the author’s novels — i.e. The Shawshank Redemption) in the late 80s, with a script produced in 1988. Both Greg Nicotero, head of KNB Efx, and Everett Burrell, head of Optic Nerve Studios, were initially contacted for the project. Darabont, however, became occupied with other films and adaptations of King’s novels — including, most importantly, The Green Mile — thus delaying the creation of his film version of The Mist. In a matter of 18 years, the same team was brought together again for the project.
Monster Legacy 