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Main Article: Draco
Standing in the doorway, illuminated by the shivering flames in Lupin’s hand, was a cloaked figure that towered to the ceiling. Its face was completely hidden beneath its hood. Harry’s eyes darted downward, and what he saw made his stomach contract. There was a hand protruding from the cloak and it was glistening, grayish, slimy-looking, and scabbed, like something dead that had decayed in water…
But it was visible only for a split second. As though the creature beneath the cloak sensed Harry’s gaze, the hand was suddenly with-drawn into the folds of its black cloak.
-J.K. Rowling, Harry Potter and the Prisoner of Azkaban
In the late 80s, Raffaella de Laurentiis began proposing to various Studio Executives her pet project — a fantasy film set in the 10th century, about the unlikely alliance between a Dragon and a Knight. Written by Charles Edward Pogue and based on a story by Pogue and Patrick Read Johnson, Dragonheart was a project that for many years was unable to be realized, due to the complexity of its main character — a talking Dragon. Named Draco (after the latin term draco, in turn derived from the ancient greek word δράκων), the creature demanded an unprecedented special effects complexity — mainly due to the human range of expression he should be able to display.