Blog Archives
The Gatekeeper and the Keymaster
Among the vast array of creature effects that Entertainment Effects Group had to arrange for Ghostbusters, a rather large role had to be filled by the Terror Dogs: Gozer the Gozerian’s loyal servants, whose purpose is to open the portal that allows the travelling entity to set foot on a new world to conquer.
Hunter — Predator
“A monster from another planet that kills for sport.” This is the brief, poignant description of the Predator given by producer Joel Silver in a promotional interview. Shortly after the release of Rocky IV, a joke made its way in Hollywood claiming that, since Rocky had run out of Earthly opponents to fight, the next one should come from another planet. Said joke unwittingly inspired the Thomas brothers — Jim and John — to write their first script: Hunter, later retitled Predator. “We had an idea about doing a story about a brotherhood of hunters who came from another planet to hunt all kinds of things,” Jim said, “but we realized that wouldn’t work very well, so we picked one hunter who was going to hunt the most dangerous species — which had to be man, and the most dangerous man was a combat soldier.” The first-time writers, devoid of agents, slipped the script under the door of Fox executive Michael Levy – who shared it with John Davis and Joel Silver, the future producers of the film.
StarBeast — Alien³, the Dragon
Alien³ was a troubled production from beginning to end, and the creature effects department was no exception: the artists were plagued by constant changes in direction and contradicting studio decisions. Gillis recalled in an interview with Fangoria: “Fox never had a problem with coming back and saying ‘sorry guys. We know you built these things, but there’s a new direction, and we’re not going to use them’. We had to keep ourselves and the crew orally afloat, because people put their blood, sweat and tears into the stuff, and have a tendency to get upset when an effect’s cancelled. There were six stages of Aliens, count them! But we’re not griping about the script changes, because any story should constantly be honed. That only shows us the film’s getting better, and if the effect doesn’t serve the plot, then there’s no reason for it.”
Monster Legacy 